the indie bible



 
example o v e r v i e w
STAYING AHEAD OF THE CURVE - MUSIC BIZ TRENDS
by Peter Spellman, author of "Indie Power"
CREATING AN INDIE BUZZ
by Daylle Deanna Schwartz, author of "The Real Deal"

r a d i o
GETTING RADIO AIRPLAY
by Lord Litter (Radio Host)
RADIO AIRPLAY 101 – COMMERCIAL AIRPLAY MYTHS
by Bryan Farrish, Bryan Farrish Radio Promotion
INDEPENDENT RADIO PROMOTER CHECKLIST
by Bryan Farrish, Bryan Farrish Radio Promotion
INTERNET RADIO: THE AFFORDABLE ALTERNATIVE
by Nathan Fisher, Live365.com
ALTERNATIVE RADIO TRENDS AND WHAT THEY MEAN TO YOU
by Liz Koch, Notorious Radio
KNOWING THE DIFFERENCE BETWEEN GOOD PR AND BAD PR
by John Foxworthy, Garage Radio

g e t t i n g   y o u r   m u s i c   r e v i e w e d
GETTING YOUR MUSIC REVIEWED
by Jodi Krangle, The Muse’s Muse
INSIDE THE HEAD OF A MUSIC REVIEWER
by Suzanne Glass, Indie-Music.com
WHY MOST DEMOS ARE REJECTED
by Christopher Knab, author of "Music is Your Business"

t o o l s

WHAT ARE PERFORMANCE RIGHTS ORGANIZATIONS? (ASCAP, BMI, SESAC...)
by Jer Olsen, CEO of MusicBootCamp.com
UPC & BARCODES FOR PENNIES AND SENSE
by Lygia Ferra of LAMusicGuide.com
BAND AND PRESS KIT ESSENTIALS
by author Richard V. Tuttell
SO, WHAT’S THE SCOOP WITH ELECTRONIC PRESS KITS?
by Panos Panay, CEO Sonic Bids
WHY MAILING LISTS ARE SO IMPORTANT
by Vivek J. Tiwary, StarPolish.com
DESIGNING YOUR CD COVER
by Valerie Michele Hoskins
THE IMPORTANCE OF DISTRIBUTION
by Bronson Hermuth, author of "100 Miles to a Record Deal"
DATABASE TIPS
by Derek Sivers, CEO of CD Baby
LEARN THE IMPORTANT SKILLS
by Derek Sivers, CEO of CD Baby
WEBSITE BASICS FOR THE SINGER/SONGWRITER
by Valerie DeLaCruz, Musician/Songwriter
HOW TO MAKE THE MOST OUT OF A MUSIC CONFERENCE
BUILDING A MUSIC WEBSITE THAT SELLS: PROMOTE YOUR CD, NOT YOURSELF
by Mihkel Raud, author of "How to Build a Music Website that Sells
MUSIC VIDEOS FOR INDEPENDENT ARTISTS AND LABELS
by Allen M. Gottfried, Electric Head
t e c h n i c a l
STREAMING MP3S
by Luke Sales, GlassWing Media
HOW TO CREATE AND MANUFACTURE YOUR MUSIC
by Hadas, RecordPressing.com
THE LOW DOWN ON DOWNLOADS
Jeff Leisawitz, Weedfiles.com
l e g a l
HOW TO COPYRIGHT YOUR MUSIC
by Nancy Falkow, Indra Studios
HOW TO TRADEMARK YOUR BAND NAME
by Derek Sivers, CEO of CD Baby
TRADEMARKING YOUR LOGO
by Vivek J. Tiwary and Gary L. Kaplan, StarPolish.com
ENTERTAINMENT INDUSTRY LAWYERS: WHO, WHAT, WHEN, WHERE AND HOW MUCH?!
by Wallace Collins, Entertainment Lawyer
ROYALTIES IN THE MUSIC BUSINESS
by Joyce Sydnee Dollinger, Entertainment Lawyer
ARTIST-MANAGEMENT CONTRACTS
by Richard P. Dieguez, Entertainment Lawyer
THE WRITTEN AGREEMENT AMONGST BAND MEMBERS
by John Tormey III, Entertainment Lawyer

m a r k e t i n g   a nd   p r o m o t i o n

THE 10 RULES OF SUCCESSFUL INDEPENDENT
MUSICIANS by Nyree Belleville, author “Booking, Promoting & Marketing Your Music”
ALERT THE MEDIA! - PUBLICIZING YOUR CAREER
by Publicist Teresa Conboy
HOW TO BE YOUR OWN PUBLICIST
by Ariel Hyatt, Ariel Publicity
FOUR WAYS TO ATTRACT MORE MUSIC FANS FASTER
by Bob Baker, The Buzz Factor
MUSIC MARKETING STRATEGIES
by Derek Sivers, CEO CD Baby
GETTING YOUR MUSIC INTO FILM
by Scooter Johnson, Musician/Actor
THE BASICS OF BOOKING YOUR OWN TOURS
by Jay Flanzbaum, OnlineGigs

d i s t r i b u t i o n

PREPARING FOR DISTRIBUTION
by Daylle Deanna Schwartz, author of The Real Deal: How to Get Signed to a Record Label from A to Z
25 THINGS TO REMEMBER ABOUT RECORD DISTRIBUTION
by Christopher Knab, author of "Music is Your Business"
WHY AND WHEN IS CONSIGNMENT BETTER THAN DISTRIBUTION?
by Tim Sweeney, Tim Sweeney & Associates
SUCCEEDING WITHOUT A LABEL
by Bernard Baur, Music Connection Magazine

b u s i n e s s

WHAT IS A BUSINESS PLAN AND WHY DO YOU NEED ONE?
by John Stiernberg, author of "Succeeding in the Music Business: A Business Handbook for Performers, Songwriters, Agents, Managers and Promoters"
10 KEY BUSINESS PRINCIPLES
by author Diane Rappaport
LOOKING FOR AN AGENT
by Jeri Goldstein, author of “How to Be Your Own Booking Agent”
FINDING A SPONSOR
by Bronson Hermuth, author of "100 Miles to a Record Deal"

m o t i v a t i o n a l    a r t i c l e s
DEALING WITH REJECTION IN THE MUSIC BUSINESS
By Suzanne Glass, Indie-Music
THE PROCESS AND POWER OF PERSISTENCE
by Brian Austin Whitney, Founder of the Just Plain Folks Music Organization
BABY STEPS AND THE ROAD TO SUCCESS
by Chris Standring, A&R Online
SO HOW DO WE MAKE OUR DREAM BECOME REALITY?
by Janet Fisher, Goodnight Kiss Music

The articles found in the Ninth Edition of the Indie Bible are written by industry professionals who have a wealth of experience. They know what works, what doesn’t work – and why. Reading these articles will save you an ENORMOUS amount of time and money, and will help your career to move in a positive direction right from the start. In other words, you won’t have to make the same mistakes that I and many others have made while trying to achieve success in the music business.



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